I, Me

Dreamy and deranged, with an evocative exotic flavour and a bouncy percussive-led rhythm that bring you in a sort of Bollywood b-movie dungeon. Weird and hypnotic, will suit commercials and sequences with an ironic edge.

      I_me-JPM

Grassy Knees

Airy and positive, with effective piano chords and a pop-rock arrangement that complement the scene from 1:00 onwards. Claps and pizzicato strings add lightness and fun at minute 1:30. We are decisively in the corporate/showcase videos domain, although this is done with a warm and classy touch that will suit high level products, definitely inspirational without being too disruptive.

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Sky High

Atmospheric and contemplative, with a 16 bit feeling that reminds of video games from the eighties/early nineties. A hypnotic arpeggiated synth and digital flutes and bells create a sense of lightness and airiness. Zelda and Mario can finally meet up and glide azure skies with cotton candy clouds.

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High Roller Jack

Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.

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Frog Orchestra

Casual and light, a playful tune that happily marries orchestral patterns with modern rhythmical drum interjections. Strings, glockenspiel and brass dialogue together without engulfing the scene too much. Like being in a wet and muddy forest with a magnifying glass, observing quirky animals and such hopping around and tentatively catching up with their instincts. Simple and nice theme that is repeated throughout the tune in an ABAB fashion.

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Brasil

Warm and sincere, an ambient episode with traces of tender melancholic elements. Emotional acoustic arpeggios and evocative solos of trumpet and acoustic guitar create a wonderful sense of longing in space and time. As the title suggests, there is indeed a south American edge here, but definitely more in a calm-sunset-on-a-beach sausade way than carnival party time.

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Manifesto

Emotional and tender, with an all in open-pedal piano and a light orchestral arrangement that make for a classic inspirational tune. With a grandiose feeling and a straight rhythmical pattern that gradually takes over until the end, it will suit classy short form advertising that musically needs to match a gradual grow in intensity without being too blatant.

      Manifesto-JPM

Goodnight

Peaceful and bright, with a confident yet tender acoustic guitar and delicate piano inserts that build a relaxing and mellow episode of music. It gains strength and develops harmonically in the last 30 seconds. A bass guitar helps to deliver an effective coda that will suit the end of a cinematic sequence or advertising pieces.

      Goodnight-JPM

Kill the robots

Repetitive and flowing, it starts tense with a rhythmical bass synth. Soon a detuned piano enters the scene to counter balance the darkness with some emotional lighter ideas. The bass follows it as a drum section slowly creeps in and helps in gaining strength to the tune. There is sense of longing and broken romance, but defiance and challenge are definitely ahead. Somewhat in between hi-tech and retro.

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Mirrors

Calm and repetitive, with a sentimental reverberated piano and a light touched glockenspiel that take us around for one of those long and longing Sunday afternoons. It’s cold but also strangely hopeful. A natural complement for your broken characters, the ones that never know where to look for a glimpse of deserved tranquillity and happiness.

      Mirrors-JPM