Coum DhĂ­neol

Mellow and sincere, 3 minutes piece of tender arpeggiated piano that playfully places itself on the boundaries between melancholy and happiness. It is gentle but firm in its unraveling, suggesting a scene where your character can face its fate without fear of failing or pain. Several applications possible, from emotion driven soundtracks to classy corporate advertising.

      Coum_Dhineol-JPM

End of an Era

Delicate and mild, with piano and strings orchestrated in a classic manner and built to deliver poignancy and introspection at their earnest level. It swells in the middle section both in intensity and intention, to create a sense of hopefulness that contrasts the stark and rarefied beginning. Will suit coming of age stories with frail and delicate yet resolute characters.

      End_of_an_Era-JPM

Untied Kingdom

Bright and smooth, with groovy medium-tempo beats, 90s synth leads, and soothing female vocals that bring a Protection-like Massive Attack flavour to the scene. It delivers early Trip-Hop elements in a kind of hopeful mood. Would suit promo and corporate videos, but also play well as soundtrack for fiction films.

      Untied_Kingdom-JPM

Sopot

Breezy and atmospheric, with a nice combination of strings and woodwinds that deliver ostinato figures and create a bed for a piano solo theme in the middle section. It is somewhat excited and relentless, with a sad tone and melancholy lurching around. Definitely not standing still, will suit running scenes, possibly nature shots and short form adverts. Period dramas a la Atonement welcome here.

      Sopot-JPM

No Sun, No Stars

Delicate and light, no frills piano solo theme that falls into romantic and emotional domains. It changes to a mildly more playful accent in the middle sections, but overall keeping an overarching melancholic feeling. Performed with a truthful and honest human touch.

      No_sun_no_stars-JPM

For Panthere

Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.

      For_Panthere-JPM

Pass it Off – Dub Instrumental

Full on in your face hip hop. It’s big, it’s bad and brash. Recommended for rapid cut promos, or waking up the neighbours. This guy knows what I’m talking about. I’m nodding my head as I type this. Imagine Busta Rhymes ‘Ante Up’ mixed with a little bit of Missy Elliot and some chipmunks, but like, hip hop chipmunks. All samples cleared.

      Pass_it_Off_Dub_Instrumental-JPM

Farewell to Arms

Build of electronic arpeggios over rasping synths leads to a massive industrial drop at 0:15. Smooth, dark and serious. Elements of Massive Attack and Tricky. 1 minute ad length.

      Farewell_to_Arms-JPM

How’s God? She’s Black

The title is taken from this piece of graffiti on the Berlin Wall. Piano and classic guitar led, with gamelan, and a string section. Tender, hopeful and positive with hypnotic piano riffs revolving in the background. A pause leads to a frenetic middle section which bursts into a sudden epic string section, similarly disappearing to leave a tender vulnerable ending. Nods to Steve Reich, The Penguin Cafe Orchestra and The Books.

      Hows_God-Shes_Black_Master-JPM

For Sudan (Suite)

Thoughtful sad piano with raindrop-like percussion states a strong melodic motif, slowly joined by gentle strings and delicate triangle. At 1:56 a hopeful bridge introduces pulsing cellos building to a full-bodied, quickened restatement of the main theme, then a gradual shift downwards in energy and tempo for a relaxed and pensive end. Good for campaign videos with a strong serious message.

      For_Sudan_Full-JPM
      For_Sudan_Medium-JPM
      For_Sudan_Piano_Only-JPM
      For_Sudan_Piano_Held-JPM
      For_Sudan_Just_Strings-JPM