Threshold_Entrancending_Incantascence

Sparse plucked Cello, calm and slightly wry, anticipating something, a note of unease. Then out of nowhere urgent and plaintive bowed cello and violin. Rhythmic at first then suspending itself with long drawn out notes. At 4:14 there is a unified statement, uneasy and dissonant. It feels like someone is valiantly struggling to pull themselves up but can’t do it. They try harder and more desperately but the forlornness of the situation overtakes them, they pause, then after a last effort they fall to their doom. If you were ever narrating an Edgar Allen Poe story, this would be the soundtrack to it.

      Threshold_Entrancending_Incantascence-JPM

When The Horizon Bursts

Soothing and contemplative, with swirling high pitched strings that evoke a sense of uneasiness on a solid and reassuring base of long cello drones. Orchestral percussion brings in tribal and epic reminders. Feels like Macbeth, or a classy Braveheart. “In the frosty air, the lonesome warrior reaches the summit of the mountain and beholds the grandioseness of a burning war field”.

      When_the_Horizon_Bursts-JPM

Atonement Pass

Dissonant and cloudy, a crying lament of strings that successfully combines early classical 1900s influences with modern day film scoring. It has four definite sections that alternate relaxation with excitement. It will suit period dramas with complex characterisations but also possibly otherworldly and supernatural settings. Atonement. Downton Abbey if it had more balls.

      Atonement_Pass-JPM

Not This Day

Hugely passionate, an intense dialogue of strings intertwined beautifully to create a beautiful, varied and dynamic piece. A stream of playfulness and longing, with determined and delicate sections. This feels like an emotionally charged dance, a passionate love-making session, a frenetic game, a storm ravaging the sea. Not This Day takes us through many different states, and eventually rests with a triumphant positive end.

      Not_This_Day-JPM

Playful Orchestra

Sneaky and playful, with pizzicato strings, brass accents and an alluring theme embodied by woodwinds and violins. Somewhere in between a big orchestra and a folk band, it steadily increases in tempo as it progresses. Great for light and quirky advertising.

      Playful_Orchestra-JPM

End and Beginning

Reflective, dark and searching, with deep repetitive timpani and a sorrowful piano performance that play in the low range of frequencies to deliver a poignant feeling of inevitability. Something big is happening. It steadily grows in intensity as a compelling string ensemble builds and builds. Our protagonist is finally ready to accept the consequences of an inevitable, dramatic reality.

      End_and_Beginning-JPM

Chilled Atmospheric Bliss

Ethereal and delicate, a relaxing episode of synths and organs that is both looking at the inner and outer side of your character. Blissful and gently flowing up in a sky made of pink streams of consciousness, will suit utopian sci-fi and fantasy settings.

      Chilled_Atmospheric_Bliss-JPM

Blue Valentine

Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.

      Blue_Valentine-JPM

Binary Girl

Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.

      Binary_Girl_(Instrumental)-JPM
      Binary_Girl-JPM

The Tides of Life

Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.

      The_Tides_of_Life-JPM