Upbeat rock track. Uptempo electric guitar, bass and drums, classic blues rock with fun vocal ‘woohoo’s. Catchy and engaging, like The White Stripes’ ‘Fell in Love with a Girl’. Loud, brash and ridiculously positive, perfect for an advert for weekend shenanigans, a tasty new beer or a fun foodstuff that can be shared at a big party for all your favourite people. Woohoo!
Light electronic track. Tranquil atmospheric electronics, bleepy sounds, vocal samples and warm synth mix with a mellow throbbing beat and upbeat percussion. Delicate electronic break, gentle swooshes and muted beats. Drums kick in, build anticipation over the gentle bed track. A snare drum section followed by an understated yet triumphant chordal synth build. Joyous, anticipatory and considered, elation but in a classy way, sounds like a more upbeat Beach House or Au Revoir Simone, low key but playful, perfect as background music for a positive, thought-provoking charity video, or for slightly suspenseful reality TV montages.
Euphoric electronic track. Big synths, glistening airy synths into bouncy synth melody with bassy beats and deep, sustained bass notes. Mid section with subtle vocal samples, cute synths like a malfunctioning robot. Whooshes back to the bouncy refrain. Happy, joyful and playful, a bit Calvin Harris, a heavy synth track with a warm, youthful sweetness, perfect for upbeat, triumphant TV adverts.
No Drums version available.
No Bass version available.
Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.
Orchestral epic with vocal effects. Choppy, rousing orchestral strings with a sparkling choral line, bell effects and deep woodwind melodic snatches. Playful orchestral phrases, lively and excited, interspersed with sustained strings and dramatic bursts of percussive, lyrical cinematic bombast. Dramatic, hopeful and driven, perfect adventure music for fun adverts or dramatic Film/TV scenes – sailing the seven seas, defending your honour, defeating baddies, all in a day’s work.
Pastoral folk on solo acoustic guitar. Quiet, thoughtful chordal motifs and finger-picking guitar. Moving from minor to major like the sun breaking through the clouds. Gentle, introspective and tentative, yet hopeful, perfect for a spare, downbeat TV/Doc sequence or a relaxed advert.
Light synth banger. Punchy, sparse synth chords introduce a 90s synth line with glassy synths washes creating atmosphere. Brash synth chords over a variation on the melodic riff with a throbbing kick drum beat beneath. A new layer of high register synth line takes things up a notch, shuffling beats add a dance flavour. More variations on the melody, drums kick in again, then an abrupt stop. Positive, hopeful and determined, driving beats to suit a reality TV challenge or slightly cheesy advert for a modern product.
Cinematic orchestral track. Slow, sparse piano intro. Wistful orchestral strings join with sustained notes before a urgent string and percussion melody kicks in. Strings join on top, followed by triumphant brass, searching and adventurous. Lighter woodwind adds a playful elements, over stomping percussion and strings. Tentative and introspective before a definite drive and determination kicks in. Perfect for ambitious, impassioned, hopeful fantasy film/TV sequences, going to battle to protect the kingdom and defeat the evil invaders.
Melancholy piano and orchestral string track. Piano leads an off-kilter waltz, joined by orchestral strings that build throughout, soaring by the finish, and gentle marimba murmurings. Slow, solemn and sensual with hints of light and hope breaking through. Perfect for a desolate TV/Doc/Film scene, imagine a kite stuck in the upper branches of a tree, disintegrating in harsh winter winds, or a sad silent movie. Also suitable as woozy, tragic, lonesome background music to an advert.
High energy rock. Tight drums, scuzzy electric guitars, fast paced and heavily compressed. Fast drum break and frantic electric guitars to finish. Upbeat, confident and direct, in-your-face with plenty of Queens of the Stone Age swagger to suit an advert with attitude, Top Gear-style daredevil TV.