Sample-heavy 90s influenced hip hop track. Synth electric guitar plays a tense riff over various samples, including hand claps, vinyl scratches, radio static, organ, hand drums, tambourine and flute, and dark hip hop beats. Tense and slightly sinister but cool and collected,with a hint of dangerous fun, perfect for an atmospheric, streetwise advert or TV/Film sequence set in a dangerous neighbourhood where anything can happen.
Tag Archives: Angry
Taiko Melody
Percussive build. Growing layers of drums and rattling percussion, creating a wide-reaching rhythmic picture. Woodblocks cut through the blanket of drums momentarily before the uniform pounding resumes. Atmospheric, determined and full of anticipation, perfect music for a ceremonial event, a soundtrack to an epic, other-wordly ritual or tribal gathering onscreen.
Farewell to Arms
Build of electronic arpeggios over rasping synths leads to a massive industrial drop at 0:15. Smooth, dark and serious. Elements of Massive Attack and Tricky. 1 minute ad length.
High Roller Jack
Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.
Damage
Dreamy and emotional but polluted in its arrangement, with digitally distorted synthesisers that swoop around the sonic sky and create an interesting black and white post apocalyptic romance theme. Futuristic and hypnotic, there is also a nice and straight kick drum bouncing on the lower spectrum of frequencies that help in establishing a catchy danceable rhythm.
Captured
Dark and sneaky, a synthesised bass drone decorated with prepared piano inserts and strings articulations that bring in a cheap horror feeling with an industrial element. This will nicely go along with those kind of thrillers and horrors where everyone in the audience thinks: “Really?”. For scary exploitation and b-movies with an ironic edge.
Attack!
Powerful and majestic, with a delicate intro made of dreamy bells that lead to energetic flashes of orchestral spikes. Solemn and dark, it gradually grows in intensity and delivers a great background for supernatural thrillers and fantasy-like settings.
War in a dark world
Epic with a mystical accent, starts with long low pitched pads and an otherworldly vocal part that evolves into a multi layered evocative choir. At 1:45 becomes more rhythmical thanks to an energetic orchestral arrangement and strong percussive elements. Ancient armies on the verge of a war with supernatural forces.
Secluded Blue
Suspenseful and hypnotic, featuring synth loops and acid arpeggios that bring a sense of dark and unsettling emotional content to the listener. Complemented by a slightly retro and mildly epic progression in the last part.
Bates Motel
Intense and dramatic, with intertwined strings fraseggi and rhythmical cello structures that give a dissonant sense of broken romance. Fingers pointed to early sixties Bernard Hermann scores, such as the ones for Hitchcock movies, albeit in a more darkish way.