Can’t Stop Me

Blues rock stomper with attitude. Low-key, anticipatory build up on bass, drums and electric guitar, a heavy, stomping drum groove introduces a raw blues guitar riff and Black Keys-style scuzzy electric guitars. A psychedelic vocal refrain, ‘Can’t Stop Me Now’ of close male harmonies breezes in over the plodding beat. Shredding guitars solo before fade out. Cool, determined and badass, clean, slick, American blues rock for an advert or TV sequence with swagger.

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Sorry

Melancholy trap with orchestral strings. Sombre piano chord intro, trap beats drop. Woozy bass synth unsettles. Flickering beats, breathy vocal samples and austere orchestral strings add complexity. Determined and driven yet slightly sentimental, perfect for the reflective aftermath of a bittersweet and decisive onscreen moment; don’t look back as you walk away.

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Incredible Ways

Upbeat EDM/Techno/House track with melancholy synths. Energetic opening with deep bass beats, fun synth effects and a breathless vocal-style synth beat. Builds to a driving EDM track with reflective synth chords and layers of precise beats. Opens out with broad synths, orchestral strings and relentless beats. Dark, colourful and determined, an epic night-drive through a neon-lit city.

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Marrakech

Hip hop / Arabic fusion. String intro, swooping and choppy, beats drop in contrast, harp-like synth noodling on top brings lightness. Flute takes on the melody to end. Serious, determined and intriguing, insistent strings and beats to suit cross-cultural content.

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Zomorud

Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.

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Baglama Taksim

Saz or baglama instrumental. Mid-tempo Arabic saz solo, a stringed instrument like a lute or guitar, resembling the Arabic oud, sounding like English folk or American country at times, with a strong Middle Eastern sound. Determined and energetic yet thoughtful and reflective, would suit documentary or TV/Film centered around the Middle East, matching the lively pace of life.

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Dark Stars

Driving electronic track. Spacey synth swooping under a bouncy synth hook. Chunky synth rolls in with an expansive melody. Solid beats and atmospheric vocal samples maintain the determined vibe. Upbeat and lively with a sense of purpose, sounding like a slowed-down Santigold, perfect for a flashy advert for futuristic electronics, or for a cool TV segment.

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A Night to Remember

EDM with bouncy synths. Anticipatory build with synth whooshes and a sparse melody to begin. Calvin Harris-style beat drops, bouncy synths and regular beats create a driving movement. Spacey laser synths and faster beats spiral to a climax. Fun, colourful and garish, yet driven and determined, perfect for a feel-good advert or for brash reality TV.

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Tropics

Polished clubby electronica. Fat synths interspersed with dynamic, glossy, banging beats. Melancholy synth chords and vocal samples add an introspective edge. Dark, determined and driven, 90s-style sample-heavy electronica, perfect for a sombre documentary or thoughtful, difficult and decisive TV scene.

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Naked Truth Instrumental (Rock Version)

All-out rock ‘n’ roll stomper. Full electric guitar, bass and drums pounding from the get-go. 90s-style guitar effects, grungy and rough around the edges, with an overall highly produced sound. Heavy and driven, determined and angry, perfect for a tense, nail-biting TV scene, as background music on a dramatic reality TV show, or if Jane’s Addiction soundtracked an advert for a frighteningly good burger.

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