The K

Upbeat track led by synth samples and hip hop drums. Shooting spacey synth sample with syncopated jazzy chords on top. Boom bap hip hop drums introduced, then a subtle melodic synth line. Interlude with drums and interlaced spacey bell-like synth samples. Ends on synth melody alone. Positive and relaxed, yet upbeat and energetic, this track would suit travel docs or film/tv montage sequences.

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Captain Marzipan

Balkan-style instrumental. Sustained string note builds anticipation, piano motif and drums enters underneath, excitement builds. Strings become louder and earthier in tone. Balkan-style melody enters on choppy violins with double bass drums and piano accompaniment. Grows with frenetic energy, soaring, squeaking violins, melodies intersecting. Dramatic change of tone: complete slow down with drunk double bass and woozy violin swaying drowsily between notes. Shrill piano joins adding jazzy flourishes, all build back to previous upbeat, ramshackle melody. Dramatic, surprising, reckless and intriguing, suitable for a rollicking TV advert or Film/TV/Doc scene, or a strange party scene, where our character is disorientated and disconcerted by the madness happening all around, dropped unexpectedly into a quirky unknown world.

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Sopot

Breezy and atmospheric, with a nice combination of strings and woodwinds that deliver ostinato figures and create a bed for a piano solo theme in the middle section. It is somewhat excited and relentless, with a sad tone and melancholy lurching around. Definitely not standing still, will suit running scenes, possibly nature shots and short form adverts. Period dramas a la Atonement welcome here.

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When The Horizon Bursts

Soothing and contemplative, with swirling high pitched strings that evoke a sense of uneasiness on a solid and reassuring base of long cello drones. Orchestral percussion brings in tribal and epic reminders. Feels like Macbeth, or a classy Braveheart. “In the frosty air, the lonesome warrior reaches the summit of the mountain and beholds the grandioseness of a burning war field”.

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Atonement Pass

Dissonant and cloudy, a crying lament of strings that successfully combines early classical 1900s influences with modern day film scoring. It has four definite sections that alternate relaxation with excitement. It will suit period dramas with complex characterisations but also possibly otherworldly and supernatural settings. Atonement. Downton Abbey if it had more balls.

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Binary Girl

Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.

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The Tides of Life

Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.

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Harmonic Progression

Bouncy and playful, with a compelling dialogue between strings and brass instruments that create a feeling of discovery for somewhat young adventurers. Dangerous edge but overall positive and playful, Goonies-alike with an added feeling of grandioseness given by a strong orchestral arrangement.

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Stories and Stones

Catchy and uplifting, with a folk acoustic guitar and a warm male choirs that create an interesting and compelling episode of indie acoustic folk. The second part develops into a fully arranged piece with increased complexity. Several applications, from emotional and in your face commercials to soundtracks for dramas and bittersweet comedies

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Grassy Knees

Airy and positive, with effective piano chords and a pop-rock arrangement that complement the scene from 1:00 onwards. Claps and pizzicato strings add lightness and fun at minute 1:30. We are decisively in the corporate/showcase videos domain, although this is done with a warm and classy touch that will suit high level products, definitely inspirational without being too disruptive.

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