Empire

An epic orchestral track featuring strings, choral vocals and powerful percussion. Percussive blasts introduce synthesised orchestral strings. Ascending orchestral strings heighten the tension further as loud percussion rumbles underneath. Sustained notes and choral vocal effects add to the sense of danger that is developing. Main melodic theme returns with a string counter melody and high pitched choral vocals. Female choral vocals soar above the melody and percussion, bass male vocals take the lower level before the finale of sustained strings and vocals. Tense, determined, powerful and threatening, suitable for film or TV sequences showing a group’s determination and strong will in the face of a common enemy, set on a vast and unforgiving landscape.

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Maxwell’s Demon

Piano-led orchestral/beat mash-up. Jazz drum intro, choppy jazz piano motif, driving drums. Orchestral strings join, smoothing out the disjointed piano, followed by edgy trap beats. Strings soar over the beats and grown-up piano. Abrupt ending. Jittery and excited at first, maturing throughout to a confident, epic piece. Would suit an advert for a transformative product, or a tv show interlude. A before and after from likeable and clumsy to impressive, mysterious, measured and powerful.

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Season Creep

Atmospheric string and piano build. Ephemeral strings, echoing beat intro, gentle piano notes, strings drone building anticipation. Piano chords then opens up with sustained strings, drums, guitar and tambourine. A quiet section, the best remains then drops out, just piano and light strings to finish. Determined, ambitious, striving and positive, would suit an advert for a powerful, reliable car, or a success against the odds on TV/Film.

No Drums version available.

1 min and 30 sec ad length versions available.

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In the Dead of the Night

Pensive and somber, with an overarching negative mood given by bassy orchestral drones and subtle electronics. The middle section features a poignant counterpoint between a cello and an oboe. A sparse and saturnine sense of the inevitable leaning to Hollywood style romance stories.

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Attack!

Powerful and majestic, with a delicate intro made of dreamy bells that lead to energetic flashes of orchestral spikes. Solemn and dark, it gradually grows in intensity and delivers a great background for supernatural thrillers and fantasy-like settings.

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War in a dark world

Epic with a mystical accent, starts with long low pitched pads and an otherworldly vocal part that evolves into a multi layered evocative choir. At 1:45 becomes more rhythmical thanks to an energetic orchestral arrangement and strong percussive elements. Ancient armies on the verge of a war with supernatural forces.

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Meeting is Over

Pompous and hypnotic, with an entrancing dialogue between vocals and harmonica that create an meditative and longing feeling. A compelling folk with a dark flavour, will complement your character as he makes it to the top of the mountain and looks at the world from a higher perspective.

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The Escape

Celebratory and epic orchestral score, with lush and powerful arrangement. Bold brass, balzato strings and engaging harp strums. A marked sense of discovery and grandioseness, with echoes of ancient battles and conquests. Perfect for celebration scenes and big epic sequences.

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X2Y

Dark and slow burning, featuring hypnotic synth arpeggios and mystical choirs that develop in a full grand orchestral hybrid arrangement in the second part. Builds up steadily till 1:50 and then steps up with brass instruments. Great fit for big epic film scoring and otherworldly, mystical characterisations. Flash Gordon would love this.

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Angry Mountain

Tensive, haunting, and hypnotic, with an epic aftertaste embodied in a late 18th century orchestration that delivers a slice of retro mood and action oriented setting. A darkish instalment of Hollywood-like classical scores perfect for period and modern drama productions.

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