A strong industrial beat joined by a strident classical strings and mandolin-like synth, introduces a sampled female vocal singing “I’ll drive down these roads”. Massive, triumphant, fanfare, orchestral big beat / in your face hip hop. This has got car advert all over it.
A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.
Relaxed and positive, with gentle indian instrumentation including tabla and sitar-like guitar. It doesn’t do much, just holds it’s space with a rich upright bass sound and the introduction of rhodes at 2:45, it would be almost lazy if it wasn’t for the tabla pushing things along with its crisp melodic insistence. The feeling I get with this track is like I’m drifting serenely down a river, and everything is totally ok with the world. Reassuring. Perfect for branded content with themes of travel.
Solo jazz piano. Romantic intro of blissful exotic jazz chords, full melody of chordal 4ths calls to mind Erik Satie or Japanese-inspired classical composition a lĂ Madame Butterfly. Delicate waltz section, playing around with the same Eastern-inspired chords. Hopeful, loving, content, would suit a romantic Film/TV scene where a smitten character floats on a wave of love. Would also suit a soothing, peaceful advert for a beautiful object or luxurious service.
Balkan-style instrumental. Sustained string note builds anticipation, piano motif and drums enters underneath, excitement builds. Strings become louder and earthier in tone. Balkan-style melody enters on choppy violins with double bass drums and piano accompaniment. Grows with frenetic energy, soaring, squeaking violins, melodies intersecting. Dramatic change of tone: complete slow down with drunk double bass and woozy violin swaying drowsily between notes. Shrill piano joins adding jazzy flourishes, all build back to previous upbeat, ramshackle melody. Dramatic, surprising, reckless and intriguing, suitable for a rollicking TV advert or Film/TV/Doc scene, or a strange party scene, where our character is disorientated and disconcerted by the madness happening all around, dropped unexpectedly into a quirky unknown world.
Melancholic with a playful edge, with honest acoustic guitars and a piercing violin performance that create a nice tune with a middle/southern European feeling. Will play well both in slightly over the top romantic comedies and generally in applications where a classy yet stereotypical representation of romance is needed.
Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.
Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.
Dazed and hypnotic, a fistful of electricity and fast paced action in this 1 minute episode of electronic madness. A boomy bass synth and low-fi drum machines make for a compelling tune that evokes vintage electronica without denying modern day EDM. We are spectators of futuristic cities, doomed detectives, wrecked cars and dodgy gangsters.
Dreamy and deranged, with an evocative exotic flavour and a bouncy percussive-led rhythm that bring you in a sort of Bollywood b-movie dungeon. Weird and hypnotic, will suit commercials and sequences with an ironic edge.