Calm and contemplative, with hypnotic pianos and smooth electronic loops that make clever use of sound design techniques to bring a futuristic flavour to the table. Will suit emotionally charged scenes seasoned with synthetic fragmentations.
Wistful but hopeful, a classically orchestrated episode of musical tenderness and gentleness with a poignant piano theme complemented by soothing orchestral strings. It resonates with emotional and melancholic characters, and will suit period and modern drama productions.
Meditative and hypnotic, with a dark smooth bass drone and magical flashes of piano inserts that touch an emotional, slightly sad and tender dimension. Introvert characters look at their past and yearn for a better future.
Reflective and hypnotic, with repetitive piano arpeggios and a piercing theme that gets somewhere in between being sentimental and slightly angry. Emotional with a lot of resentment, will suit lonely characters and their regrets.
Playful and bright, with a cheerful harmonica, fiddle, acoustic guitars and percussion that make for a lively folk setting with a festive mood. Remainders of Irish and Scottish countryside, will suit village celebration scenes, travel montage.
Nostalgic and poignant, with a mellow piano and a light orchestral arrangement that evokes romantic and melancholic feelings. Features a violin solo in the first part. Classically performed, this will suit dramas and emotionally charged sequences.
Really beautiful, delicate and nostalgic, featuring aching solo strings and an emotionally compelling piano that creates heartache, anticipation and finally peace. Would suit emotional scenes or moments of reflection. “Emily knew, as she walked through the house for the last time, that for now at least, she was free to love again”.
Hypnotic and earthy, with soft percussive elements, acoustic guitars and a mellow leading fiddle that take us into world/folk territories without being too flashy. Sounds like venturing into the wild unknown but you have all your marbles with you and you know what your are doing. See, if only Leonardo had this music in The Revenant, he wouldn’t have been molested by a bear.
Dark and slow burning, featuring hypnotic synth arpeggios and mystical choirs that develop in a full grand orchestral hybrid arrangement in the second part. Builds up steadily till 1:50 and then steps up with brass instruments. Great fit for big epic film scoring and otherworldly, mystical characterisations. Flash Gordon would love this.
Hypnotic with a dissonant edge, featuring an upright piano, acoustic guitar-led arpeggios and a strings section. There is an interesting combination of a delicate and playful mood with disturbing inserts of harmonic madness, mainly given by the piano. Great fit for scenes where your audience needs to know that something in our character is starting to drift.