Lyre

Moody lyre instrumental. Sparse improvisatory melody, sounding like a cross between harp and acoustic guitar. Beguiling, melancholy and ancient, a mysterious, questioning, atmospheric soundtrack to strange, anticipatory Film/TV scenes or documentaries about ancient civilisations.

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A Night to Remember

EDM with bouncy synths. Anticipatory build with synth whooshes and a sparse melody to begin. Calvin Harris-style beat drops, bouncy synths and regular beats create a driving movement. Spacey laser synths and faster beats spiral to a climax. Fun, colourful and garish, yet driven and determined, perfect for a feel-good advert or for brash reality TV.

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Shattering the Ground

Straight up rock ‘n’ roll track. Hand claps and a brazen guitar riff to begin, a break with vocal ‘yeahs’ and a choppy electric guitar break. Later flute brings a jazzy 70s vibe before a full guitar and drum rock out. Bold, brash and powerful, punchy ad music or perfect background hype for a reality TV challenge.

      Shattering_The_Ground-JPM_version

Lonely Thoughts

Tense electronic track with orchestral strings and female vocals. Gentle electronic melody joined by reverb effects, choppy, threatening strings, subtle bell-like piano and female falsetto vocal. Dark beats add menace and suspense. Eerie vocal breaks and a slow down before tension re-builds with scratchy violins and beats. Nerve-wracking, doom-laden and supernatural, a dark thriller, like wet branches brushing your face on a cold, dark night. Perfect for a sombre documentary, warning about climate change, or a chilling TV scene.

      Lonely_Thoughts-JPM_version

Dark Jungle

Tense drum ‘n’ bass track. Drum ‘n’ Bass breaks over woozy, neon synths. Strange modulations and cold electronics effects create an unnerving and hypnotic atmosphere. Intense, direct and single-minded with a contrasting softness from the synths, would suit a serious documentary about youth or urban issues, or a reality TV montage.

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Clarity

Cretan-Irish fiddle track. Droney, sustained fiddle notes, melodic rounds over the drone, becoming more Irish in flavour as the tune progresses, before taking an Arabic turn with percussion and doubled fiddles. Hynotic, meditative, earthy and lively, perfect for a documentary set in the Middle East or Eastern Mediterranean, a beautiful, fluid fusion of musical cultures.

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Roots (Suite)

Acoustic guitar and piano track with experimental elements. Gentle acoustic guitar punctuated with electronic noise and water sounds. Joined by warm piano and hints of playfully subtle saxophone, minor chords growing in intensity and turning to major for a hopeful finish. Mysterious, cheeky and subversive, brings to mind a magical woodland scene of trees going walkies while your back is turned. Perfect for TV/Film/Docs, pastoral settings and subtly powerful storytelling.

Bed version is more intimate, featuring more raw, sparse acoustic guitar, brings out the scratchy, barely-there violin and teasing background noise.

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The Party Wall

Ambient electronics with piano and strings. Bleepy electronic intro with subtle, chiming piano notes cutting through the soundscape. Strings creep in before a powerful, low-register strings swell overwhelms the track and radio samples add a layer of intensity and discord. Tense, ambient and emotional, dramatic background music for a hard-hitting documentary or uneasy TV drama.

      The_Party_Wall-JPM_version

Turn It Up A Notch Or Two

Rock n roll track. High octane, upbeat, hooky guitars, bass and pounding drums. Bass and drum heavy breaks and catchy electric guitar riffs. Energetic, brash and fun, perfect for a jokey reality TV montages or high-energy adverts.

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      Turn_it_Up_a_Notch_or+Two_60_secs-JPM_version
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Impressions of a Choice

Lush orchestral track. Simple, questioning piano introduction leads to sweeping, pastoral strings before a full orchestral mid-section with developed piano melodies and playful woodwind and brass blasts. Hopeful, romantic and soaringly positive, 1980s soap opera meets the Animals of Farthing Wood, romance with a dash of danger.

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