Antiphon No.4 (Parts 1, 2 and 3)

Cinematic piano and orchestral string track. Serene orchestral strings and undulating piano create a dense, dramatic soundscape full of passionate yearning. Hopeful, romantic and expressive, perfect for a tense, sensual and tumultuous onscreen romance, think A Room With A View, set in a lush and dreamlike environment.

      Antiphon_No4_Part1
      Antiphon_No4_Part2
      Antiphon_No4_Part3

KMH_Part_3

Dramatic waves of rippling piano moving between positive and uncertain. Delicate and undulating, vulnerable and jarring.

      KMH_Part3

KMH_Part_2

Sparse, positive and beautiful. A bit like heavy rain dropping sporadically in a sunny forest. At 1:10 there is a sidestep into complexity and uncertainty, a bit like you’ve taken the dark path in said forest, wending your way to who knows where…

      KMH_Part2

KMH Part 1

Minimal piano track. Polyrhythmic piano lines interweave creating a continuous, flowing waterfall effect. Sweet yet dissonant, atmospheric and turbulent. A dreamlike cacophony in the mid-section, before an expressive, virtuosic, yet disturbed, finish. Suited to an unsettling Film/TV scene, a psychological horror reflecting the characters tumultuous experiences.

      KMH_Part1

Port Authority Bus Station Blues

Atmospheric acoustic guitar track. Brooding solo guitar accompanies itself with finger-picking and block chords. Slow, meandering, expressive and nostalgic, suited to a turbulent TV/Film scene set in America. Becomes more emotional and dense throughout, growing in intensity and turning slightly melancholy.

      Port_Authority_Bus_Station_Blues

This is a Chair

Relaxed solo blues guitar track. Chilled acoustic guitar melody, calm and restrained with melodies emerging from the free rhythmic style. Dramatic build in speed and emotion before a strong, cheerful refrain, followed by a sparse, bittersweet outro.

      This_Is_A_Chair

Ed Mark

Sparse, western acoustic guitar track. Desolate Americana with touches of harsh slide guitar, like something out of a tense, Ry Cooder-scored Western. Atmospheric, strange and nostalgic, would suit a cowboy parody or Western-style advert or TV scene/documentary.

      Ed_Mark-JPM

Acephale

Epic electronics with strings. Noisy, atmospheric build, shifting sustained strings building a cacophonous soundscape cut through by screeching electronics and dark, brooding bass synth. Guitars and piano bring a sense of peace at the finish. Industrial, emotional and edgy, perfect for probing documentaries and dark TV dramas.

      Acephale

Tobinesque

Subtle, ambient intro of sparse percussion and synth melody, foreboding and dark, building to a harder sound with pizzicato orchestral strings and 90s trip hop beats. Slightly glamourous, exotic and classy, like a modern James Bond film, perfect for an action/thriller or exciting, potentially dangerous TV scene.

      Tobinesque-JPM

Uncut (Suite)

Slow, foreboding piano track with orchestral strings, percussion and electronic beats. Tense, dark and foreboding, like a wintry evening, driving in the countryside. Grown in intensity as more electronic beats are added. Brooding piano throughout, perfect for an atmospheric TV/Film scene with a hint of hope.

Interludes feature piano only.

Intro and Outros feature piano and electronic beats.

      Uncut_Intro-JPM
      Uncut_Interlude-JPM
      Uncut_Interlude2-JPM
      Uncut_Interlude3-JPM
      Uncut_Outro-JPM
      Uncut_Outro2-JPM