Gentle acoustic guitar track with piano. Strummed acoustic guitar, bright and hopeful with subtle synth chords underneath. High register piano added, shining and sparkling on top. Lush orchestral strings enter with a hum of warm romance before a woozy, underwater break as strings and keys resonate at length. Fade out. Soft, delicate and wistful, a pastoral track with a magical feel, perfect for nature programming, hopeful TV scenes or warm and wholesome adverts.
Upbeat electronic synth track with laid back beats. Atmospheric sustained synth chords over anticipatory percussive ticking. Liquid beats, yearning vocal samples and warm, bassy synth build to an immersive, melodic, muted beat drop, then a pulsating beat-driven section. Thoughtful, tender and chilled, with growing excitement, suitable for a breezy, glamorous beauty campaign, or as a dynamic background track for TV and documentaries.
Playful, percussive, pizzicato orchestral string track. Magical swooping strings and choppy, characterful violins duel over a swirling bed of orchestral hum with plucked violins and dynamic double bass adding further layers of texture. Quirky, pastoral and full of giddy anticipation, perfect for a nature programme on the fleeting buzzing of insect life, or equally suitable for a Christmas segment building seasonal excitement.
Peruvian instrumental with charango and cajón. Stringed, guitar-like charango plays a melancholy melodic hook, while a second charango provides intricate accompaniment. Gentle percussion from cajón gives a subtle rhythmic flavour while supporting the melody. Emotional, passionate yet quiet and restrained, reminiscent of Manu Chao, full of romantic anticipation to suit a sizzling onscreen lovers’ dance or for a travel documentary or advert with a Latin influence.
Reflective electronic track. Thoughtful warped piano and laid back beats. Expands and grows sonically with vocal and string samples with jazz piano bringing elegance. 90s trip hop vibes, feeling like Massive Attack covering the Wallace Collection’s ‘Daydream’. Dreamy, peaceful and beautiful, chill background music for a documentary or a blissed out advert for summer pleasure.
Driving electronic track. Spacey synth swooping under a bouncy synth hook. Chunky synth rolls in with an expansive melody. Solid beats and atmospheric vocal samples maintain the determined vibe. Upbeat and lively with a sense of purpose, sounding like a slowed-down Santigold, perfect for a flashy advert for futuristic electronics, or for a cool TV segment.
Sweeping string and piano track. Fluttering strings and ticking percussion over single, hopeful piano notes. Anticipation builds, breaks into a vast hopeful section with a full chorus of choppy strings, shifting to calmer sustained strings. Emotional, romantic and full of sweeping positivity and wondrous expectation, perfect for a charity campaign or heartwarming advert.
Laid back, dreamy R’n’B. Gentle, jazzy synth chords introduce ethereal vocal sample, joined by sparse R’n’B beats. Calm and tranquil with an urban edge, soothing yet atmospheric, perfect for a cool yet chilled advert, thoughtful TV scene or contemporary documentary.
Groovy 70s funk. Cheesy horn blasts, funky beats, vinyl scratching samples, zany saxophone interludes and jazz piano in your face in an explosion of wacky, swirling 70s groove. Fun, upbeat and happy, retro 70s New York vibes with a cheesy edge, imagine as a TV theme tune for a NYC cop show about 2 crazy cops getting into some hilarious scrapes, or for an advert promising to inject excitement into family mealtimes.
Experimental Lo-Fi Hip Hop track. Ambient sounds with a degrading, crackling quality, kitchen pottering, water whooshing, industrial machine-like noises, joined by resonant piano chords and crunchy beats. 90s, Hip Hop beats drive the track, with looped piano chords and background noise a constant. Mysterious, experimental, chilled and darkly playful, like exploring the Looney Tunes Haunted House, off-kilter beats and samples to suit a Vice news style documentary or contemporary urban filmmaking.