Unconditional

Tense orchestral build. Repeated choppy orchestral string motif builds, electronic hints added and orchestral elements provide base. Melancholy violin melody emerges interspersed with military-style drums fills. Layers of lush strings join with subtle horns, building a dense orchestral soundscape with incongruous electronics bubbling beneath. Emotional, reflective and suspenseful, a worrying track to suit a film scene where man is recklessly destroying nature, a daring, dangerous feat is being attempted, or unrest of the mind threatens to overwhelm the protagonist.

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State of Mind

Tense, atmospheric electronica. Synth riff with added vocal samples and whooshing, fat synths underneath. Sparse, slightly tropical, subtle beats materialise, synths and vocals bubble up and cut through the murky atmosphere. Downbeat, moody, dark and slightly magical, reminiscent of a more 90s Arca, intriguing beats draw us in to another world, swampy and hazy, perfect for a mellow TV/Doc/Film scene or as sombre yet hopeful background music.

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Clear Water

Atmospheric electronic track. Drum machine beats joined by chordal intro on synth. Arpeggiated synth plays a repetitive melody. Warm sustained synths underpin the bright, clear, undulating melody, fresh like rainwater. Extra texture with added beats and ambient synth. Intriguing, optimistic and cool, soothing synths bringing to mind water droplets on new saplings, cool rocks and epic green/blue vistas. Sounding a bit like Santigold, perfect for stylish eco-advertising, a flashy electric car driving through a crisp mountain road, or travel Documentaries.

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Breeze

Atmospheric electronic track. Japanese-sounding chiming percussion, textural water sounds, shakers, rattling beats and melodic beats growing in intensity. A definitive gong and a trail of dripping water to finish. Evoking the natural world, as well as ancient Eastern wisdom, ethereal, thoughtful and intense, like a more urgent version of the Lost in Translation soundtrack, or the original music for American Beauty, curious and evocative, suitable for intriguing adverts, soul-searching TV/Film or nature documentaries.

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HEY

Bluesy rock ‘n’ roll track. Brazen electric guitar riff and wailing guitar feedback, joined by punchy drums and a funky bass line. A new guitar melody followed by a new section, more electronic, glitchy and sample-heavy, moving into espionage movie territory. Brash, urgent and confident, like Red Hot Chilli Peppers soundtracking a Jason Bourne film, perfect chase music, either by car or on foot, through unfamiliar urban streets, or across continents.

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Friday (Woohoo!)

Upbeat rock track. Uptempo electric guitar, bass and drums, classic blues rock with fun vocal ‘woohoo’s. Catchy and engaging, like The White Stripes’ ‘Fell in Love with a Girl’. Loud, brash and ridiculously positive, perfect for an advert for weekend shenanigans, a tasty new beer or a fun foodstuff that can be shared at a big party for all your favourite people. Woohoo!

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Sneak Peek (Suite)

Light electronic track. Tranquil atmospheric electronics, bleepy sounds, vocal samples and warm synth mix with a mellow throbbing beat and upbeat percussion. Delicate electronic break, gentle swooshes and muted beats. Drums kick in, build anticipation over the gentle bed track. A snare drum section followed by an understated yet triumphant chordal synth build. Joyous, anticipatory and considered, elation but in a classy way, sounds like a more upbeat Beach House or Au Revoir Simone, low key but playful, perfect as background music for a positive, thought-provoking charity video, or for slightly suspenseful reality TV montages.

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Exhuberance

Euphoric electronic track. Big synths, glistening airy synths into bouncy synth melody with bassy beats and deep, sustained bass notes. Mid section with subtle vocal samples, cute synths like a malfunctioning robot. Whooshes back to the bouncy refrain. Happy, joyful and playful, a bit Calvin Harris, a heavy synth track with a warm, youthful sweetness, perfect for upbeat, triumphant TV adverts.

No Drums version available.

No Bass version available.

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New Elevator

Electronic synth track. Breezy synth intro with chunky tropical beats underneath. Chilled beats and a laid back lounge vibe. Synth build to a funkier section, more prominent funk bass guitar and catchy synth motif. Fresh, colourful and bright, synth sunshine, calming background music in a luxury elevator or lounging in a flashy spa. “Been around the world and ay-ay-ay…” Lisa Stansfield lounging in early 90s ibiza, perfect for smooth and cheesy adverts and similar TV.

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The Forest of Deception

Orchestral epic with vocal effects. Choppy, rousing orchestral strings with a sparkling choral line, bell effects and deep woodwind melodic snatches. Playful orchestral phrases, lively and excited, interspersed with sustained strings and dramatic bursts of percussive, lyrical cinematic bombast. Dramatic, hopeful and driven, perfect adventure music for fun adverts or dramatic Film/TV scenes – sailing the seven seas, defending your honour, defeating baddies, all in a day’s work.

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