Tidal Eye

Atmospheric percussive track with strings. Erratic background noise, clanging, bashing, becomes rhythmic. Sustained string swells add further suspense before a wailing orchestral blast with a pulsating background beat. Strange, tense and unsettling, would suit a dramatic, frightening Film/TV/Doc.

      Tidal_Eye

The Day Before Quetta

Sparse, sombre piano track with scratchy violin and atmospheric oud. Solemn, tense and desolate, an empty landscape, deserted streets, suitable for sad, suspenseful TV/Film dramas, possibly set in the Middle East.

      the_day_before_Quetta

Kidnap In Karachi Part 2

Mournful string track. Atmospheric noise, sad strings and heavy piano play a desolate melody. Unsettling, resonant background noise brings a threatening new dimension. Supernatural, doom-laden and bleak, funereal music for negative adverts or hopeless TV/Film scenes.

      kidnap_in_karachi_part2

Kidnap In Karachi Part 1

Atmospheric build. Sparse piano intro with string murmurings. Sustained strings become a drone before a drop out. Piano break before tense percussion, shakers and expressive violin join for an intriguing, suspenseful and nerve-wracking build, steady and mid-tempo throughout. Mysterious, strange and beguiling with a hint of the East, suitable for tense movie moments or atmospheric, threatening documentary background music.

      Kidnap_In_Karachi_Part1

Jalsa

Sitar-like drones introduce expectant beats and excited tambourine. Middle Eastern-style earthy strings play snatches of melody with acoustic guitar. Tense, suspenseful and mysterious, would suit a TV drama/Film set in a hot Middle Eastern country or a playful advert for foods from this region.

      JALSA

Ashabi

A cacophony of guitar feedback. An electric guitar melody emerges, joined by deep drums, strident bass, upbeat tambourine and wailing guitar notes. A strange and spooky vocal section takes over, joined by gutteral bass and relentless percussion. Like Tame Impala, shamanistic, powerful and psychedelic, perfect for a badass advert or to accompany a driven character on TV.

      Ashabi

Trix

Delicate electronics, sustained synth, magical atmospheric sound effects and reverb-laden electric guitar. Female vocal melody, sparse, heartfelt and breathy. Senusual and romantic with hip hop beats and bleepy samples and subtle operatic vocals. Peaceful and sincere, perfect for a introspective TV scene.

      Trix-JPM

The Last Time

Electronic beats with heavy delay, echoing, harsh and glassy. Bleepy synth seeps into the soundscape. Orchestral strings provide a sombre humanity. Beats intensify to a sparse finish. Suspense, tension and a sense of foreboding.

      The_Last_Time-JPM

The Crash

Harp arpeggio, lyrical and pastoral, joined by flute, strings and glassy electronics. Machines imitating nature. Strange, poignant and atmospheric, would suit a investigative TV, or a thoughtful documentary montage.

      The_Crash-JPM

Streets Call Your Name

Dark, atmospheric hip hop beats with strings.Sombre, brooding and edgy, would suit an after-dark advert or a gripping, dangerous contemporary TV drama.

      Streets_Call_Your_Name-JPM