Bag

Minimal trap. Cold synth melody over male vocal sample, first high-pitched, then repeated in a low register. Sparse beat drops. Quicker hi-hat beat added with finger-snap style beat. Dark, edgy and cool, perfect for an atmospheric advert for streetwear or a documentary about youth culture or TV drama.

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Crossing Euro Instrumental

Bleepy electronica with D’n’B beats. Gentle electronics, joined by heavy D’n’B breaks. Sweet, bleepy section returns before a chunky beat driven section. Austere orchestral strings and bright, childlike synth add melodic layers, with underlying chords switching between major and minor. Determined, driven and nostalgic, perfect for a youth TV drama in an urban setting, or as a dynamic accompaniment to an electronics or automobile advert.

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Akira Complex

Bold, upbeat synthpop instrumental. Minimal piano intro before excitement-building arpeggiated synths and big, bold synth whooshes. Minimal synth section leads to energetic, euphoric build and beat drop. Heavy, chunky beats, crunchy sound effects and cute bubblegum synths explode like fireworks. Drops and builds again. High-octane, exhilarating and life-affirming, a contemporary mix of brash and kawaii sounds, perfect for fashion content or colourful, youthful documentaries and aspirational Love Island-style reality TV.

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In Retrospect

Deep house 90s-style track. Heavy beats with intermittent colourful breathy synths. House synth chords and hi-hats build momentum, choral-like synths swell and more beats drop. Fun squeaks and playful high pitched synths add light-hearted texture. Sincere and thoughtful, yet fun and playful, perfect for TV sports coverage, an edgy urban documentary or a cool advert.

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We Are Together

Hopeful orchestral track. Delicate horn drone rings out, introduces choppy violins building suspense, lush orchestral strings swell, tinkling bell-like effects and anticipatory drums build before a twinkling percussive ending. Inspiring, atmospheric and brimming with warmth and hope, reminiscent of Coca-Cola’s iconic Christmas advert, or a joyful episode of Planet Earth, perfect for nature programming, inspiring adverts or wholesome family TV.

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Silver Moon

Expansive breakbeat track. Bleepy synth over minor synth chords, slow breakbeat underpins an emotional synth melody. Brash bold synths take over, along with chipmunk vocal samples from another planet. Vast, thoughtful and epic Skrillex-like electronica for flashy, ambitious adverts, or an epic reality TV montage or sports coverage.

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Sniper

Trap with epic choral sample. Throbbing bass, dramatic choral vocal sample blasts, drops back to deep bass before vocals return with a busy trap hi-hat beat and subtle electronic effects. Bold, powerful and ambitious, perfect soundtrack to edgy content.

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Gang Ish

Dark hip hop with gunshot samples. Bleepy synth intro with effects, a foreboding piano riff then a break. Beats build to a deep, punchy, bass synth melody. Piano returns, more beats and gunshot samples. Threatening, tense and frightening, a seemingly bouncy track with a dark underbelly, would suit topical, crime documentaries or content.

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Cosa Nostra

Dark trap. Bell-like keyboard motif builds mystery and tension. Rattling, unsettling chords reiterate the creepy melody before a syncopated Latin-style beat and hi-hat trap beat grounds the track. Quiet moments with the eerie distant sounds of thunder and rain like a bad omen. Uneasy and tense with a sense of foreboding, like a trap Twin Peaks soundtrack, perfect for dark TV show where danger is around every corner.

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Overtime

Chilled trap/hip hop track. Summery Roland-esque organ sounds and quavering church-like synth strings build anticipation before trap beat drops. Devotional piano chords add to the gospel vibes. Zealous male vocal samples at intervals and deep bassy beats interspersed with breezy hi-hat interludes. Laid back, warm and uplifting, inspiring and reverent yet cool, like Kanye West’s Sunday service, hip hop and gospel influences, perfect for hopeful pop culture documentaries for adverts or calmly climactic TV sequences.

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