Dark and disturbing, with dissonant synth pads and ethereal choirs that evoke a visceral and hypnotic feeling. It alternates rhythmical patterns with ambient loops. Trippy and acid mix of exotic flavours and modern beats that will happily take your character to non-linear realities.
Meditative and hypnotic, with a dark smooth bass drone and magical flashes of piano inserts that touch an emotional, slightly sad and tender dimension. Introvert characters look at their past and yearn for a better future.
Reflective and hypnotic, with repetitive piano arpeggios and a piercing theme that gets somewhere in between being sentimental and slightly angry. Emotional with a lot of resentment, will suit lonely characters and their regrets.
Pompous and hypnotic, with an entrancing dialogue between vocals and harmonica that create an meditative and longing feeling. A compelling folk with a dark flavour, will complement your character as he makes it to the top of the mountain and looks at the world from a higher perspective.
Mysterious and saturnine, with filling bassy drones and evoking swarms of synths that create a sense of uneasiness and dark anticipation. Steady until 2:50, it then builds up to a more loaded setting at 4:00, and then delivers different thrilling flavours shifting every couple of minutes. Great for thrillers, horrors and psychological settings.
Catchy and playful, with saturated beats and a mildly aggressive synth that take the listener into a pop dimension but with grittiness and a lot of colour. A bit like Gary Numan ‘Cars’Â mixed with a minimal hipster.
Dark and groovy, with a low-key drum machine beat and gritty inserts of synth and classical instruments that make for a mysterious and hypnotic ambient setting. Minimal and foreboding but not without a sense of humour, good for introspective and quirky scenes. We’re definitely waiting for something to happen.
Hypnotic and earthy, with soft percussive elements, acoustic guitars and a mellow leading fiddle that take us into world/folk territories without being too flashy. Sounds like venturing into the wild unknown but you have all your marbles with you and you know what your are doing. See, if only Leonardo had this music in The Revenant, he wouldn’t have been molested by a bear.
Hypnotic with a dissonant edge, featuring an upright piano, acoustic guitar-led arpeggios and a strings section. There is an interesting combination of a delicate and playful mood with disturbing inserts of harmonic madness, mainly given by the piano. Great fit for scenes where your audience needs to know that something in our character is starting to drift.
Hypnotic and dark, with a dissonant edge given by atmospheric strings pads and a drony bass synth with percussion. There’s a simple harmony and a sense of anticipation built with a delicate yet firm manner. It will serve very well as background music for video games, and TV shows with a futuristic flavour.