Ouverture

Slow-paced, emotional orchestral string track. Tragic strings joined by hopeful passages of lively clarinet, moving in a slow and stately manner to a hopeful ending. Suitable for period TV drama interludes, the camera moving over a rainy English landscape, mirroring personal turmoil.

      Ouverture

Notes of Dust in the Sunshine

Laid back jazz track. Soft brass, snippets of piano and dynamic double bass keep it easy-going and improvisational. Cool and calm with late night vibes, repetitive and emphatic, perfect for a thoughtful, reflective TV/Film moment, or for a curious documentary observing the subtle idiosyncrasies of a people.

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Midday

Whimsical piano and clarinet track. Amélie-like waltz, interweaving piano and clarinet. Seductive, mysterious and slightly melancholy, suitable for a dreamy TV/Film sequence in a strange underground speakeasy for outcasts and oddballs.

      Midday

Marilaneda Utopia

Emotional piano track. Cascading piano sequence, layers added. Grows sweeter, more nostalgic and thoughtful. Perfect for a dramatic inner realisation onscreen, a driven advert, or a romantic TV/Film scene.

      Marilaneda_Utopia

Expedition Whisky

Orchestral track with electronics. Woodwind intro with foreboding string section. Tinkling bells followed by dynamic, suspenseful woodwind, building timpani, plodding and threatening. Electronic section, synth and faraway beats, accompanied by incongruous woodwind and tense orchestral strings. Strange, intriguing and scattered, a mystery journey through a dark and confusing forest straight out of Alice’s Adventures in Wonderland. Fun and freaky, for unusual advert or quirky onscreen moments.

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To Quetta

Frenetic, rhythmic percussion over tense, sparse piano chords and Middle Eastern-style melancholy strings and scatterings of oud. Strange, unsettling and sad, suitable for a tense, searching documentary, or disorientating TV/Film scene.

      To_Quetta

The Day Before Quetta

Sparse, sombre piano track with scratchy violin and atmospheric oud. Solemn, tense and desolate, an empty landscape, deserted streets, suitable for sad, suspenseful TV/Film dramas, possibly set in the Middle East.

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Kidnap In Karachi Part 2

Mournful string track. Atmospheric noise, sad strings and heavy piano play a desolate melody. Unsettling, resonant background noise brings a threatening new dimension. Supernatural, doom-laden and bleak, funereal music for negative adverts or hopeless TV/Film scenes.

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Kidnap In Karachi Part 1

Atmospheric build. Sparse piano intro with string murmurings. Sustained strings become a drone before a drop out. Piano break before tense percussion, shakers and expressive violin join for an intriguing, suspenseful and nerve-wracking build, steady and mid-tempo throughout. Mysterious, strange and beguiling with a hint of the East, suitable for tense movie moments or atmospheric, threatening documentary background music.

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Ashabi

A cacophony of guitar feedback. An electric guitar melody emerges, joined by deep drums, strident bass, upbeat tambourine and wailing guitar notes. A strange and spooky vocal section takes over, joined by gutteral bass and relentless percussion. Like Tame Impala, shamanistic, powerful and psychedelic, perfect for a badass advert or to accompany a driven character on TV.

      Ashabi