Tag Archives: Strange

Expedition Whisky

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Orchestral track with electronics. Woodwind intro with foreboding string section. Tinkling bells followed by dynamic, suspenseful woodwind, building timpani, plodding and threatening. Electronic section, synth and faraway beats, accompanied by incongruous woodwind and tense orchestral strings. Strange, intriguing and scattered, a mystery journey through a dark and confusing forest straight out of Alice’s Adventures in Wonderland. Fun and freaky, for unusual advert or quirky onscreen moments.

      H.WHISKY1_EXPEDITION_WHISKY

Dream Sequence Soft 2

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Atmospheric electronics. Whooshing sounds, swooping waves of ambient noise, doppler effect panning. Spooky, threatening and dark, like creatures flitting about under the cover of darkness, suitable as unsettling background music for TV/Film/Doc scenes about strange, otherworldly subjects.

      Dream_sequence_soft2

To Quetta

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Frenetic, rhythmic percussion over tense, sparse piano chords and Middle Eastern-style melancholy strings and scatterings of oud. Strange, unsettling and sad, suitable for a tense, searching documentary, or disorientating TV/Film scene.

      To_Quetta

Tidal Eye

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Atmospheric percussive track with strings. Erratic background noise, clanging, bashing, becomes rhythmic. Sustained string swells add further suspense before a wailing orchestral blast with a pulsating background beat. Strange, tense and unsettling, would suit a dramatic, frightening Film/TV/Doc.

      Tidal_Eye

Kidnap In Karachi Part 1

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Atmospheric build. Sparse piano intro with string murmurings. Sustained strings become a drone before a drop out. Piano break before tense percussion, shakers and expressive violin join for an intriguing, suspenseful and nerve-wracking build, steady and mid-tempo throughout. Mysterious, strange and beguiling with a hint of the East, suitable for tense movie moments or atmospheric, threatening documentary background music.

      Kidnap_In_Karachi_Part1

Jalsa

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Sitar-like drones introduce expectant beats and excited tambourine. Middle Eastern-style earthy strings play snatches of melody with acoustic guitar. Tense, suspenseful and mysterious, would suit a TV drama/Film set in a hot Middle Eastern country or a playful advert for foods from this region.

      JALSA

Ashabi

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A cacophony of guitar feedback. An electric guitar melody emerges, joined by deep drums, strident bass, upbeat tambourine and wailing guitar notes. A strange and spooky vocal section takes over, joined by gutteral bass and relentless percussion. Like Tame Impala, shamanistic, powerful and psychedelic, perfect for a badass advert or to accompany a driven character on TV.

      Ashabi

Trix

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Delicate electronics, sustained synth, magical atmospheric sound effects and reverb-laden electric guitar. Female vocal melody, sparse, heartfelt and breathy. Senusual and romantic with hip hop beats and bleepy samples and subtle operatic vocals. Peaceful and sincere, perfect for a introspective TV scene.

      Trix-JPM

The Crash

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Harp arpeggio, lyrical and pastoral, joined by flute, strings and glassy electronics. Machines imitating nature. Strange, poignant and atmospheric, would suit a investigative TV, or a thoughtful documentary montage.

      The_Crash-JPM

Singing Motorbikes

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Spanish guitar intro with samples of motorbike sounds, along with uplifting Beirut-like horns and string samples and finger snap percussion. Anticipatory, atmospheric and exotic, would suit an advert set in a city packed with people, this soundscape the refreshing respite from the sweltering city heat and overcrowding.

      Singing_Motorbikes-JPM