Learning to Walk

Piano track with orchestral strings. Repetitive piano, broken harp chords and scratchy string overtones fades out. Returns with lyrical cello melody and more dynamic piano melody. Builds with fuller strings and many layers of activity. Builds further with choppy strings, fuller bass parts and soaring violin melodies over insistent piano. After this storm, the clouds part, revealing a softer, more gentle strings section, breaking into a major key, hints of sunshine. Final section is a decidedly sombre string part. Repetitive, urgent and dramatic, like contemporary Philip Glass piano minimalism with added cinematic string flourish. Perfect for tense factual TV/Docs or a thrilling advert for a stylish, highly covetable new product.

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Fired Up

Upbeat indie rock instrumental. Introductory electric guitar riff, followed by energetic, pounding drums. A sharp stop and then a new section. Melodic bass lines and a rough, punky guitar sound bring to mind The Clash, but are closer in mood and feeling to Naughties British indie pop/rock like Artic Monkeys. Fun, youthful and jaunty with a heavier edge, perfect chase music, for bright, high-octane adverts or TV/Film montages where all the action happens.

No Guitar and No Drums versions available.

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Bleeps

Electronic instrumental with samples. Gradual build. First, a beat and electronic sound effects, hi hat drums added, other electronics join. Full melody join, the beats settle into a steady groove. New section introduces laser synths and whooshing electronics before the beat re-emerges with simple repetitive synth, a powerful, purposeful strut. Intriguing, playful and mysterious, like the quirky electronics of Moderat. Suitable for a European advert, maybe for a car that can navigate tiny Italian streets. Could also accompany a determined character on TV/Film.

Ad length versions available.

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These Waters Remember Part 1

Acoustic guitar track with female vocals. Slow intro of plucked, Spanish-style guitar with atmospheric reverb. Grows more fast-paced. Ethereal female vocals introduced at end. Sultry, mysterious and slightly melancholy, would suit a shot panning an arid landscape, or a strange romance on TV/Film, anticipation, lust and confusion in the desert.

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BJ

Pulsating electronic track. Fat bassy synth, flashes of synth and electronic glitches start, joined by a regular, throbbing beat, more beats then layers of extra fat synth build the atmospheric tension. Tense, dark and foreboding, full of dark energy, imagine a tense action scene or a nail-biting TV moment.

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Royal Oak

Atmospheric slide and acoustic guitar track. Slow beginning with slide guitar joined by fast broken chords on acoustic guitar building tension with guitar sound affects. A melodic motif on acoustic guitar builds up, joined by slide for the ending. Tense, sombre and dramatic, anticipation builds throughout, like the lead-up to a duel in a Western movie. Perfect for a documentary or Film/TV sequence. You can almost hear the crunch of gravel underfoot and the glint of desert sun on spurs.

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Listen to the Dialogue While I Do My Thing

Atmospheric synth instrumental. Layers of echoing synth. Fat, warm, 80s reverb-laden sound. Sombre orchestral string effect, chiming piano and glacial beats gives a serious, driving feeling. Intriguing, mysterious and strange, Twin Peaks-style ambience crossed with Enya and the Crimewatch theme tune, would suit a dark TV drama or as tension-building background music to an eye-opening documentary.

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All Alone (Suite)

Wistful lounge-jazz number. Yearning, saxophone, louche piano, gentle shuffling drums and calm, plodding double bass. Dreamy, nostalgic and romantic and relaxed, suitable for a retro TV/Film scene, a first dance between new lovers, or reminiscing on a first love, now a distant memory. A throw-back to the love stories of old black-and-white films.

Bed track has no sax, more subtle, calm and chilled.

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Not My Ask

Romantic jazz instrumental. Breathy saxophone melody, softly strummed guitar and gentle piano chords, joined by a selection of strings playing the undulating melodic idea in canon. Saxophone plays out before melting away to sultry breathiness again for the wistful mid-section. Strings wail, clarinet cuts through as the track builds in intensity before a quiet, reduced ending. Beautiful, sensual, intense and thoughtful, like the soulful East African jazz of Étiopiques. Would suit a highly charged, tender, romantic moment on TV/Film, or a reflective advert for something very special.

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Base Jumper

Grungey rock ‘n’ roll instrumental track. Rage Against the machine-style guitar riff, steady drums, followed by a Nirvana-style more downbeat riff with more prominent bassline, ending on the original high-octane guitar section. Angry, powerful, loud and proud, classic 90s rock perfect for energetic TV interludes, adverts for flaming whopper burgers, or for a powerful film scene representing a challenging character in defiance of authority.

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