Catchy and playful, with saturated beats and a mildly aggressive synth that take the listener into a pop dimension but with grittiness and a lot of colour. A bit like Gary Numan ‘Cars’Â mixed with a minimal hipster.
Hypnotic with a dissonant edge, featuring an upright piano, acoustic guitar-led arpeggios and a strings section. There is an interesting combination of a delicate and playful mood with disturbing inserts of harmonic madness, mainly given by the piano. Great fit for scenes where your audience needs to know that something in our character is starting to drift.
Groovy and suspenseful, with alluring mystical vocals and a dark progressive synth-led rhythmical pattern that evoke exotic worlds caged in a first period Massive Attack-like tune. Structured in three parts, it builds up to 1:30 and then delivers a minute of aggressiveness led by a gritty electric guitar. Wonderful as background and title sequences for futuristic, dystopian and ancient/exotic settings.
Unsettling electronic track. Random beats and electronic sound effects build a rhythmic base, unusual sound sources used to create percussive, sensory music. Bird sounds and male vocal samples introduced, like a call to prayer over glitchy beats. Strange, unexpected and off-kilter, experimental electronics to suit a curious, Vice-style documentary or quirky advert.
Ambient electronic track. Strange, electronic soundscape with fleeting synths, weird and wobbly, like being inside a beautiful iridescent bubble. Magical, calming and supernatural, perfect music for a spacey, surreal TV/Film sequence or nature documentary.