Marrakech

Hip hop / Arabic fusion. String intro, swooping and choppy, beats drop in contrast, harp-like synth noodling on top brings lightness. Flute takes on the melody to end. Serious, determined and intriguing, insistent strings and beats to suit cross-cultural content.

      Marrakech-JPM_version

Snow Man

Dark, mysterious hip hop track. High-pitched synths like police sirens, and the real thing, over plodding synth melody. Fast-paced hi-hat trap beat enters, booming bassy synths populate the deep end. Comes down a notch with woodblock beats before the trap attack returns. Unsettling, nerve-wracking and tense, perfect soundtrack late-night inner-city subterfuge.

      Snow_Man-JPM_version

Future Chic

Upbeat electronic synth track with laid back beats. Atmospheric sustained synth chords over anticipatory percussive ticking. Liquid beats, yearning vocal samples and warm, bassy synth build to an immersive, melodic, muted beat drop, then a pulsating beat-driven section. Thoughtful, tender and chilled, with growing excitement, suitable for a breezy, glamorous beauty campaign, or as a dynamic background track for TV and documentaries.

      Future_Chic-JPM_version

Queen of the Bees

Playful, percussive, pizzicato orchestral string track. Magical swooping strings and choppy, characterful violins duel over a swirling bed of orchestral hum with plucked violins and dynamic double bass adding further layers of texture. Quirky, pastoral and full of giddy anticipation, perfect for a nature programme on the fleeting buzzing of insect life, or equally suitable for a Christmas segment building seasonal excitement.

      Queen_of_the_Bees-JPM_version

Demogorgon

Short, driving synth track. Chiming, repetitive synth riff with heavy delay, pause then bouncy, bassy, arpeggiated synth build. Insistent, inspiring and assured, a colourful, neon ride through a nocturnal retro-future, perfect for a propulsive advert, or wistful, upbeat Tron-like TV scene.

      Demogorgon-JPM_version

The Slip Up

Irish-Cretan slip-jig. Fusion of Irish and Cretan styles, Irish slip jig form played on saz (stringed instrument like an oud or mandolin), Cretan lyra and bendir percussion lending an Eastern Mediterranean and modal Arabic sound to the uptempo dance tune. Mysterious, tense and energetic; a curious, lively dance of different cultures with a singular, hypnotic sound.

      The_Slip_Up-JPM_version

Coral Blue

Expansive, dreamy synthscape. Subtle motorik beats and dreamy synth intro. Fleeting beats and warm, full synths expand through the Universe, joined by bass-like synth line and hooky synth melody. Effects-laden arpeggios unfold into the atmosphere. Colourful, magical and vast, perfect rainbow-hued track for dream-like TV/Film sequence or playful yet ambitious documentary.

      Coral_Blue-JPM_version

Zomorud

Instrumental fusion of Greek, Turkish and Irish folk musics. Unpredictable time signatures, non-Western scales and rolling melodic phrases played on Cretan lyra and Middle Eastern saz, joined by violin and subtle percussion. Murky and intricate, growing in speed and intensity throughout. Sombre yet determined, delivered with passionate vehemence, perfect music for a global documentary or Film/TV scene representing Turkish or Middle Eastern culture.

      Zomorud-JPM

Ticking Time

Uplifting pop/rock track. Quiet drum and guitar intro building to including expressive vocal ‘Aahs’ and ‘Ohs’ with heavier drums. Mid section is more experimental, reverb-laden vocal samples reminiscent of FKA Twigs’s ‘Water Me’. Overall more like Coldplay, expansive, emotional and open. Would suit a TV/Doc scene of emotional closure, or a heartwarming advert.

      Ticking_Time-JPM_version

Experimental Boombox

Electronic track with piano. Insistent drums build anticipation to a thoughtful, melancholy piano hook with dynamic vocal samples and spacey synths bending melodies. Introspective and romantic with experimental sonic leanings, would suit a thought-provoking advert or emotional TV scene.

      Experimental_Boombox-JPM_version