To Sleep

A dark synth pop track with dreamy male and female vocals. A synth pulse introduces male vocals. A dramatic pause before melodic beats drop with layered vocals. Dreamy, mysterious synth drones add tension. A drum and wonky synth break, the vocal chorus returns. A female vocal break ,then call-and-answer with male vocals, before coming together, echoed by the bass line. Synth drones and blobby beats accompany the female vocals an octave higher and male counter melody. Melancholy, tense and dripping in cool anticipation. Dark romance in the city by night. Driving. Coloured lights streak by. Too cool for love.

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Brevity Excerpt 1

A frenetic, rhythmic contemporary string piece. Sustained synth breaks into fast, rhythmic, percussive, staccato strings above a low pitched drone, eventually ending with an abrupt stop. Intense, moody, intellectual and dangerous, suitable for an arthouse version of Jason Bourne, a slick automobile advert or a psychological thriller.

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Let Me Grab My Cloak And Dagger

Slinky jazzy harpsichord track. Walking jazz double bass, dynamic hand drums, two intersecting lines of snaking jazz harpsichord melodies. Mysterious, intriguing and playful, suitable for a short advert for a cheeky product, offering you a handy shortcut to making an impressive meal, or a Pink Panther-style mystery on TV/Film.

‘Underscore’ version features bass and drums only.

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Maxwell’s Demon

Piano-led orchestral/beat mash-up. Jazz drum intro, choppy jazz piano motif, driving drums. Orchestral strings join, smoothing out the disjointed piano, followed by edgy trap beats. Strings soar over the beats and grown-up piano. Abrupt ending. Jittery and excited at first, maturing throughout to a confident, epic piece. Would suit an advert for a transformative product, or a tv show interlude. A before and after from likeable and clumsy to impressive, mysterious, measured and powerful.

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Sopot

Breezy and atmospheric, with a nice combination of strings and woodwinds that deliver ostinato figures and create a bed for a piano solo theme in the middle section. It is somewhat excited and relentless, with a sad tone and melancholy lurching around. Definitely not standing still, will suit running scenes, possibly nature shots and short form adverts. Period dramas a la Atonement welcome here.

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For Panthere

Magical and crisp, with woodwinds, balzato strings, and a light orchestral arrangement that create a cohesive yet delicate sense of progression. Confident and pleasing with a mysterious edge, will suit fairy and dreamy worlds, nature related footage, short form adverts.

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When The Horizon Bursts

Soothing and contemplative, with swirling high pitched strings that evoke a sense of uneasiness on a solid and reassuring base of long cello drones. Orchestral percussion brings in tribal and epic reminders. Feels like Macbeth, or a classy Braveheart. “In the frosty air, the lonesome warrior reaches the summit of the mountain and beholds the grandioseness of a burning war field”.

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Lucid Dreaming

Light and bouncy, with a retro synth bass line and a slapback delayed electric guitar that take us into a smoky and darkish 80s night club without being too overt. Sneaky and relaxed but also playful, it does not take itself seriously and therefore might be good for that wannabe cool character that everyone knows is not gonna make it.

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Percussion Experiments

Magical and dreamy, with an ethereal celeste and orchestral percussions that create a compelling mix of childish playfulness and a confident rhythmical manner. It will suit well 30 seconds adverts. A sense of discovery for a mysterious world where children with magical powers play with castles made of sand.

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Pensive Wait

Light and repetitive, with a slight Asian flavour given by the instrumentation and a mysterious ostinato played by a filtered glockenspiel. It has a synthetic edge that takes away any human element from the performance, making it robotic and repetitive, almost hypnotic. Yet, it does not evoke a particular sense of danger or deceit.

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