Pulsating electronic thriller. Electronic horn-like sustained blasts, clanging sound FX, harsh drum machine. Ascending orchestral strings signal intriguing danger. A thoughtful, desolate electric guitar solo before a return to the relentless electronic sirens. Strings build again and electric guitar returns to finish. Automatic, inhuman, threatening and brash, the sound of a prison watchtower and the rhythmic plodding of prisoners boots, would suit a dramatic thriller on TV or Film.
Tag Archives: Rhythmic
Taiko Melody
Percussive build. Growing layers of drums and rattling percussion, creating a wide-reaching rhythmic picture. Woodblocks cut through the blanket of drums momentarily before the uniform pounding resumes. Atmospheric, determined and full of anticipation, perfect music for a ceremonial event, a soundtrack to an epic, other-wordly ritual or tribal gathering onscreen.
Careless (Suite)
Electronic track. Beat intro with mellow synth. Added beats, rhythmic bassy synth, harsh, glassy synth effects and straight up drums. Upbeat but slightly melancholy with a hint of tension. Suitable for moody TV drama sequences or for a cool, clean, modern advert.
Careless 2 is longer, more like a electronic dance track, with added finger snaps and effects and punchier beats.
Sad But Hopeful
Emotional piano-led track. Sparse piano intro, joined by melancholy orchestral strings. String swell, subtle drums and a rhythmic piano motif, growing in confidence and strength. Slowly building, dialogue between strings and piano. Effects-laden piano gives a cold electronic edge. Reflective, yearning and questioning, would suit a TV/Doc sequence of high emotional intensity or a pensive moment on film.
Pagume
African jazz instrumental. Snaking double bass intro, joined by jazz drums, vibraphone, electric guitar and keyboard playing a rhythmic motif. Change of rhythm, horn blasts then saxophone melody, subtle African-jazz style, effects-heavy electric guitar solo, brass noise before vibraphone motif returns and all play until the finish. Intriguing, exotic and sensual, with hints of Mulatu Astatke and a little Fela Kuti influence, would suit a travel documentary or Film/TV scene evoking the spirit of a hot night in urban 1970s Africa.
This is a Chair
Relaxed solo blues guitar track. Chilled acoustic guitar melody, calm and restrained with melodies emerging from the free rhythmic style. Dramatic build in speed and emotion before a strong, cheerful refrain, followed by a sparse, bittersweet outro.
Lunch On Us
Synth organ track. Dreamy, retro chords and motorik bass with rhythmic acoustic guitar and plonky glockenspiel melodies. Happy, uplifting and carefree, gradual crescendo with orchestral strings and upbeat drums. Sound like Au Revoir Simone, perfect for fun, family adverts or indie TV films/dramas.
Voices of the Night
Unsettling electronic track. Random beats and electronic sound effects build a rhythmic base, unusual sound sources used to create percussive, sensory music. Bird sounds and male vocal samples introduced, like a call to prayer over glitchy beats. Strange, unexpected and off-kilter, experimental electronics to suit a curious, Vice-style documentary or quirky advert.
Theme Ambient 71
Slow-moving electronic track. White noise, ambient drones and high-pitched tones create an immersive sound world. Percussive, rhythmic electronics take over, punctuating a soft synth wash. Mysterious, enveloping and atmospheric, hopeful electronic background music, perfect for downbeat or low-key Documentary/Film/TV scenes.
To Quetta
Frenetic, rhythmic percussion over tense, sparse piano chords and Middle Eastern-style melancholy strings and scatterings of oud. Strange, unsettling and sad, suitable for a tense, searching documentary, or disorientating TV/Film scene.