Goodnight

Peaceful and bright, with a confident yet tender acoustic guitar and delicate piano inserts that build a relaxing and mellow episode of music. It gains strength and develops harmonically in the last 30 seconds. A bass guitar helps to deliver an effective coda that will suit the end of a cinematic sequence or advertising pieces.

      Goodnight-JPM

Kill the robots

Repetitive and flowing, it starts tense with a rhythmical bass synth. Soon a detuned piano enters the scene to counter balance the darkness with some emotional lighter ideas. The bass follows it as a drum section slowly creeps in and helps in gaining strength to the tune. There is sense of longing and broken romance, but defiance and challenge are definitely ahead. Somewhat in between hi-tech and retro.

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Mirrors

Calm and repetitive, with a sentimental reverberated piano and a light touched glockenspiel that take us around for one of those long and longing Sunday afternoons. It’s cold but also strangely hopeful. A natural complement for your broken characters, the ones that never know where to look for a glimpse of deserved tranquillity and happiness.

      Mirrors-JPM

Damage

Dreamy and emotional but polluted in its arrangement, with digitally distorted synthesisers that swoop around the sonic sky and create an interesting black and white post apocalyptic romance theme. Futuristic and hypnotic, there is also a nice and straight kick drum bouncing on the lower spectrum of frequencies that help in establishing a catchy danceable rhythm.

      Damage-JPM

Captured

Dark and sneaky, a synthesised bass drone decorated with prepared piano inserts and strings articulations that bring in a cheap horror feeling with an industrial element. This will nicely go along with those kind of thrillers and horrors where everyone in the audience thinks: “Really?”. For scary exploitation and b-movies with an ironic edge.

      Captured-JPM

Adventure Reality

Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.

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60414

Jaunty and sneaky, a nice patchwork of old style rock and roll piano chords, soul inserts, R&B and jazzy samples all caged in an energetic big beat structure. A saxophone comes and goes to complement this quirky and compelling episode of music.

      60414-JPM

Letting You Win

Energetic with a modern feeling, featuring a compelling mix of electro synths and pop-rock instrumentation that deliver a perfect combo of inspirational coolness without getting too much in the way. Reminds a lesser version of some Coldplay hits. Ideal for bouncy corporate and inspirational videos.

      Letting_You_Win-JPM

Anhedonia

Serene and dreamy, with ethereal sound effects, soothing strings and a sequence of mellow piano chords that deliver an ambient and relaxing feeling. It has a steady progression over the 5 minutes running time. Gradually taking the listeners to uplifting regions (especially from 2:30 onwards), this will serve well romantic dramas, and corporate and inspirational videos with a big heart.

      Anhedonia-JPM

Honey Doo

Bright and positive, with a catchy whistle and a friendly acoustic guitar that deliver a heartwarming and fun episode of music. Will suit relaxing and light 1 minute advertising, animations, and TV comedies.

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      Honey_Do_(Late_Whistle)-JPM
      Honey_Do_(No_Whistle)-JPM