Ghetto Orchestra

Dark, electronic trap with string samples. 90s-influenced string samples, distorted male vocal sample saying ‘ID please’, trap beats and female vocal sample begin. Joined by more fleeting string samples. Underwater section before the string-led section returns. Cool, urban and flashy in a 90s way, good music to strut to, perfect for tense, intriguing TV/Film/Doc scenes.

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Tickety Tock

Tense, percussive electronic track. High-tension, high-pitched, high-speed cowbell beats over sparse pounding drums and fleeting percussive and electronic effects. A trance synth beat takes things down before piano chords introduce a hyperactive finale. Nerve-wracking, exciting and full of anticipation, a nail-biting percussive race with Balearic House vibes, suitable for a any TV/Film/Advert scene where the heat is on and the clock is ticking.

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Heading Up

Bouncy electronic pop track. Fat summery synths, electronic beats and male vocal sample ‘Hey’s set the upbeat tone. Vinyl-scratching samples, more bouncy synths and hip hop beats create a fun but edgy summery vibe. Determined, cool and a bit flashy, a slight cheesy Calvin Harris synth feel, perfect for brash adverts or Hollyoaks-style TV interludes.

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Mitochondria

Epic electronic build with orchestral strings. Crackly intro, muted electronic build, powerful beats and glassy synths. Sustained, dramatic orchestral strings build to a pummelling electronic beat with glittering arpeggiated synth and a serious, choppy string section. A break before a fresh build. Solemn and driven yet hopeful, all out epic 90s vibes like Fatboy Slim’s ‘Right Here, Right Now’, would suit tense sports coverage, a dramatic advert, or sincere documentary TV.

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Winter Drone

Atmospheric electronics. Electronics drones like waves ebbing and flowing over a cold, synthesised soundscape. Build in intensity throughout with glassy flickers and a bottomless ocean of shimmering synths. Contemplative, enveloping and hypnotising, a bed of sound perfect for under an eye-opening nature documentary or a tense, atmospheric TV/Doc moment.

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Underworld

Smooth electronica. Cold synth chords with heavy delay, bubbling bass synth notes, 90s trip hop-style drums, glitchy beats, fuzzy electronics and icy synths. Steady groove throughout. New section to finish: effects-laden piano and spacey synths take over. Fade out. Laid-back, cool, calm and detached, perfect for a TV Documentary in a clinical setting…Nurses on Call, Daredevil Doctors, or a smooth corporate video.

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Untied Kingdom

Bright and smooth, with groovy medium-tempo beats, 90s synth leads, and soothing female vocals that bring a Protection-like Massive Attack flavour to the scene. It delivers early Trip-Hop elements in a kind of hopeful mood. Would suit promo and corporate videos, but also play well as soundtrack for fiction films.

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Farewell to Arms

Build of electronic arpeggios over rasping synths leads to a massive industrial drop at 0:15. Smooth, dark and serious. Elements of Massive Attack and Tricky. 1 minute ad length.

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Blue Valentine

Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.

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Lucid Dreaming

Light and bouncy, with a retro synth bass line and a slapback delayed electric guitar that take us into a smoky and darkish 80s night club without being too overt. Sneaky and relaxed but also playful, it does not take itself seriously and therefore might be good for that wannabe cool character that everyone knows is not gonna make it.

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