“I know, I’ll call this track “Happy Song”. Imaginative. But it gets straight to the point. And yes it IS relaxed and cheerful, with nice and easy acoustic guitars and a predictable pop-rock arrangement. Hey man, it’s not all bad, in fact it’s aaaaall good. Come and have a beer with me and my family. That is the power of Happy Song. Will fit corporate videos, product showcases, and scenes where a light positive music commentary is needed.
Dark, highly atmospheric and gently driving and urgent. Brushed strings, soft beats and droning bass synths create a powerful ambient atmosphere. Constantly moving and pushing through in a place of darkness, the tension gradually starts resolving to an uneasy sense of hope.
Celebratory and epic orchestral score, with lush and powerful arrangement. Bold brass, balzato strings and engaging harp strums. A marked sense of discovery and grandioseness, with echoes of ancient battles and conquests. Perfect for celebration scenes and big epic sequences.
Dark and slow burning, featuring hypnotic synth arpeggios and mystical choirs that develop in a full grand orchestral hybrid arrangement in the second part. Builds up steadily till 1:50 and then steps up with brass instruments. Great fit for big epic film scoring and otherworldly, mystical characterisations. Flash Gordon would love this.
Hypnotic with a dissonant edge, featuring an upright piano, acoustic guitar-led arpeggios and a strings section. There is an interesting combination of a delicate and playful mood with disturbing inserts of harmonic madness, mainly given by the piano. Great fit for scenes where your audience needs to know that something in our character is starting to drift.
Melancholic and intimate, featuring a dreamy figure of glockenspiel notes and a light arrangement driven by a piano and a small orchestra. A flute takes over the theme at 1:40 and presents us to a final section slightly more rhythmical with pizzicato strings and playful woodwinds. Great for scenes with a nostalgic and tender yet hopeful feeling.
Groovy and suspenseful, with alluring mystical vocals and a dark progressive synth-led rhythmical pattern that evoke exotic worlds caged in a first period Massive Attack-like tune. Structured in three parts, it builds up to 1:30 and then delivers a minute of aggressiveness led by a gritty electric guitar. Wonderful as background and title sequences for futuristic, dystopian and ancient/exotic settings.
Hypnotic and dark, with a dissonant edge given by atmospheric strings pads and a drony bass synth with percussion. There’s a simple harmony and a sense of anticipation built with a delicate yet firm manner. It will serve very well as background music for video games, and TV shows with a futuristic flavour.
Light and smooth, with solid acoustic guitars and honest vocals that make for a warm pop-rock episode with a folk edge. Variation to the main theme at 1:40 seconds. Ideal for light advertising, end title sequences and modern dramas.
Electronic track. Beat intro with mellow synth. Added beats, rhythmic bassy synth, harsh, glassy synth effects and straight up drums. Upbeat but slightly melancholy with a hint of tension. Suitable for moody TV drama sequences or for a cool, clean, modern advert.
Careless 2 is longer, more like a electronic dance track, with added finger snaps and effects and punchier beats.