Percussive build. Growing layers of drums and rattling percussion, creating a wide-reaching rhythmic picture. Woodblocks cut through the blanket of drums momentarily before the uniform pounding resumes. Atmospheric, determined and full of anticipation, perfect music for a ceremonial event, a soundtrack to an epic, other-wordly ritual or tribal gathering onscreen.
Bright and smooth, with groovy medium-tempo beats, 90s synth leads, and soothing female vocals that bring a Protection-like Massive Attack flavour to the scene. It delivers early Trip-Hop elements in a kind of hopeful mood. Would suit promo and corporate videos, but also play well as soundtrack for fiction films.
Full on in your face hip hop. It’s big, it’s bad and brash. Recommended for rapid cut promos, or waking up the neighbours. This guy knows what I’m talking about. I’m nodding my head as I type this. Imagine Busta Rhymes ‘Ante Up’ mixed with a little bit of Missy Elliot and some chipmunks, but like, hip hop chipmunks. All samples cleared.
Sneaky and playful, with pizzicato strings, brass accents and an alluring theme embodied by woodwinds and violins. Somewhere in between a big orchestra and a folk band, it steadily increases in tempo as it progresses. Great for light and quirky advertising.
Dazed and hypnotic, a fistful of electricity and fast paced action in this 1 minute episode of electronic madness. A boomy bass synth and low-fi drum machines make for a compelling tune that evokes vintage electronica without denying modern day EDM. We are spectators of futuristic cities, doomed detectives, wrecked cars and dodgy gangsters.
Airy and positive, with effective piano chords and a pop-rock arrangement that complement the scene from 1:00 onwards. Claps and pizzicato strings add lightness and fun at minute 1:30. We are decisively in the corporate/showcase videos domain, although this is done with a warm and classy touch that will suit high level products, definitely inspirational without being too disruptive.
Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.
Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.
Jaunty and sneaky, a nice patchwork of old style rock and roll piano chords, soul inserts, R&B and jazzy samples all caged in an energetic big beat structure. A saxophone comes and goes to complement this quirky and compelling episode of music.
Energetic with a modern feeling, featuring a compelling mix of electro synths and pop-rock instrumentation that deliver a perfect combo of inspirational coolness without getting too much in the way. Reminds a lesser version of some Coldplay hits. Ideal for bouncy corporate and inspirational videos.