Dissonant and cloudy, a crying lament of strings that successfully combines early classical 1900s influences with modern day film scoring. It has four definite sections that alternate relaxation with excitement. It will suit period dramas with complex characterisations but also possibly otherworldly and supernatural settings. Atonement. Downton Abbey if it had more balls.
Hugely passionate, an intense dialogue of strings intertwined beautifully to create a beautiful, varied and dynamic piece. A stream of playfulness and longing, with determined and delicate sections. This feels like an emotionally charged dance, a passionate love-making session, a frenetic game, a storm ravaging the sea. Not This Day takes us through many different states, and eventually rests with a triumphant positive end.
Reflective, dark and searching, with deep repetitive timpani and a sorrowful piano performance that play in the low range of frequencies to deliver a poignant feeling of inevitability. Something big is happening. It steadily grows in intensity as a compelling string ensemble builds and builds. Our protagonist is finally ready to accept the consequences of an inevitable, dramatic reality.
Ethereal and delicate, a relaxing episode of synths and organs that is both looking at the inner and outer side of your character. Blissful and gently flowing up in a sky made of pink streams of consciousness, will suit utopian sci-fi and fantasy settings.
Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.
Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.
Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.
Light and bouncy, with a retro synth bass line and a slapback delayed electric guitar that take us into a smoky and darkish 80s night club without being too overt. Sneaky and relaxed but also playful, it does not take itself seriously and therefore might be good for that wannabe cool character that everyone knows is not gonna make it.
Magical and dreamy, with an ethereal celeste and orchestral percussions that create a compelling mix of childish playfulness and a confident rhythmical manner. It will suit well 30 seconds adverts. A sense of discovery for a mysterious world where children with magical powers play with castles made of sand.
Evocative and dreamy, an ambient episode of music with nice and largely white atmospheres. Features high pitched female choirs, quirky randomised percussive elements, and a series of everlasting drones. Somewhere in between ancient and futuristic, it’s an acid vision for your protagonist, albeit strangely calm and with the foreboding feeling that everything, in the end, will be fine.