Blue Valentine

Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.

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Binary Girl

Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.

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Percussion Experiments

Magical and dreamy, with an ethereal celeste and orchestral percussions that create a compelling mix of childish playfulness and a confident rhythmical manner. It will suit well 30 seconds adverts. A sense of discovery for a mysterious world where children with magical powers play with castles made of sand.

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Electric Rain

Dazed and hypnotic, a fistful of electricity and fast paced action in this 1 minute episode of electronic madness. A boomy bass synth and low-fi drum machines make for a compelling tune that evokes vintage electronica without denying modern day EDM. We are spectators of futuristic cities, doomed detectives, wrecked cars and dodgy gangsters.

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I, Me

Dreamy and deranged, with an evocative exotic flavour and a bouncy percussive-led rhythm that bring you in a sort of Bollywood b-movie dungeon. Weird and hypnotic, will suit commercials and sequences with an ironic edge.

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High Roller Jack

Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.

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Adventure Reality

Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.

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Honey Doo

Bright and positive, with a catchy whistle and a friendly acoustic guitar that deliver a heartwarming and fun episode of music. Will suit relaxing and light 1 minute advertising, animations, and TV comedies.

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Drive

Magical and groovy, with a sensual moog arpeggio and a mellow drum machine groove that make for a cool and energetic feeling nested on a mid-tempo rhythm. Like a passing cloud on early nineties pop-electronic skies. French electronica taste here. Will suit short form advertising and high-tech product videos.

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Babylon

Groovy and modern, with a confident bass line and a classy electric guitar that mix in-your-face raggae elements with dub and dance rhythms. A-B-A-B structure with “anticipation moments” at 2:00 and 3:30. Resumes a definite funky vibe toward the end using also an interesting wobbly effect.

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