Playful with a dreamy edge, a delicate ensemble of synths that evoke a sense of futuristic exertion and in some sense an inevitable acceptance of the randomness of events. Like a child of Rutger Hauer’s Nexus 6 playing with its toys in a semi dark sitting room.
Catchy and positive, with intense Moog-like arpeggiated synths, flashes of dubstep inserts, and compelling guitars to set the scene for a synth pop song structure in the domain of cool electronica. Available both with and without vocals, will play well as soundtrack for teen comedies and dramas, but also as advertising refrain.
Slow and intense, a solo piano tune with a long reverb that conjures images of dreamy, haunted angels. It has a somewhat plasticky feeling that hits somewhere in the middle of being for real or just daydreaming. As it progresses the mood shifts into epic territories using long form drones and high pitched synth instances. We are probably watching passers-by from the top of an evanescent skyscraper.
Light and bouncy, with a retro synth bass line and a slapback delayed electric guitar that take us into a smoky and darkish 80s night club without being too overt. Sneaky and relaxed but also playful, it does not take itself seriously and therefore might be good for that wannabe cool character that everyone knows is not gonna make it.
Bouncy and playful, with a compelling dialogue between strings and brass instruments that create a feeling of discovery for somewhat young adventurers. Dangerous edge but overall positive and playful, Goonies-alike with an added feeling of grandioseness given by a strong orchestral arrangement.
Magical and dreamy, with an ethereal celeste and orchestral percussions that create a compelling mix of childish playfulness and a confident rhythmical manner. It will suit well 30 seconds adverts. A sense of discovery for a mysterious world where children with magical powers play with castles made of sand.
A dreamy and ethereal start, with a filtered piano and marching percussion that create a somewhat emotional and grand feeling. In a continuous and constant progression, it gains decisive strength after minute 3, where the scene is complemented by other orchestral elements, such as a soothing cello and high pithed orchestral strings. With its full power ending, it will suit cinematic sequences that have a need to gradually transform introversion and emotional content in something grandiose and epic.
Dazed and hypnotic, a fistful of electricity and fast paced action in this 1 minute episode of electronic madness. A boomy bass synth and low-fi drum machines make for a compelling tune that evokes vintage electronica without denying modern day EDM. We are spectators of futuristic cities, doomed detectives, wrecked cars and dodgy gangsters.
Light and repetitive, with a slight Asian flavour given by the instrumentation and a mysterious ostinato played by a filtered glockenspiel. It has a synthetic edge that takes away any human element from the performance, making it robotic and repetitive, almost hypnotic. Yet, it does not evoke a particular sense of danger or deceit.
Evocative and dreamy, an ambient episode of music with nice and largely white atmospheres. Features high pitched female choirs, quirky randomised percussive elements, and a series of everlasting drones. Somewhere in between ancient and futuristic, it’s an acid vision for your protagonist, albeit strangely calm and with the foreboding feeling that everything, in the end, will be fine.