October

Folk roots, with vox, piano and guitar, building with anticipatory percussion (hi-hat and tambourine), breaking from a walk into an effortless run. Vocals pushing the fantasy but never in a way that leaves reality. For ads and campaigns, with the message that something magical, wonderful is happening and you’re all invited.

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5 Silver Line (suite)

Running over the hills, through the forest, but like, as fast as the wind. In black and white, as part of a dramatic film sequence (or an advert for Jägermeister) – is my exploitative interpretation of this brilliantly thumping and atmospheric track. Tribal drums (in the folk sense?) perfectly synchronised with acoustic guitar keep you on your toes with off-kilter time signatures and dramatic flourishes. The vocal version adds a close but haunting feel pushing you like the wind… you can probably tell I like this track. Imagine Woodkid, if Woodkid was good.

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Down These Roads

A strong industrial beat joined by a strident classical strings and mandolin-like synth, introduces a sampled female vocal singing “I’ll drive down these roads”. Massive, triumphant, fanfare, orchestral big beat / in your face hip hop. This has got car advert all over it.

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Focus (Dharana)

A slow and unhurried build with synth strings and radiant tonal swirls. A roving bass line joins at 0:40. At 2:09 it breaks into something classy, a laid back but grooving rhythm section bears down and comes into its own at 3:33, losing the swirling synths, but adding rhythmic piano stabs. At 7:05 the swirls are back but now pulsing in time; at 7:49 our original strings and swirls are back again, finally at 9:14 the track gradually breaks down towards a faded end. Glamourous and dreamy with a killer groove. I’d imagine this working for a sophisticated branding video, for luxury products and/or spaces.

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Wisdom Child

Relaxed and positive, with gentle indian instrumentation including tabla and sitar-like guitar. It doesn’t do much, just holds it’s space with a rich upright bass sound and the introduction of rhodes at 2:45, it would be almost lazy if it wasn’t for the tabla pushing things along with its crisp melodic insistence. The feeling I get with this track is like I’m drifting serenely down a river, and everything is totally ok with the world. Reassuring. Perfect for branded content with themes of travel.

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Sapphire

Solo jazz piano. Romantic intro of blissful exotic jazz chords, full melody of chordal 4ths calls to mind Erik Satie or Japanese-inspired classical composition a lĂ  Madame Butterfly. Delicate waltz section, playing around with the same Eastern-inspired chords. Hopeful, loving, content, would suit a romantic Film/TV scene where a smitten character floats on a wave of love. Would also suit a soothing, peaceful advert for a beautiful object or luxurious service.

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Farewell Lionhead

Solo jazz piano. Thoughtful, slow-paced jazz piano chords, old-fashioned jazz meandering, feeling semi-improvised with passages resolving on sweet chords or questioning chord clusters. Melancholy, pensive and full of longing, would suit a classic film scene, a lĂ  Casablanca, lonely hearts gaze into their whisky sodas…nobody understands like the piano player.

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Riviera Swing

Melancholic with a playful edge, with honest acoustic guitars and a piercing violin performance that create a nice tune with a middle/southern European feeling. Will play well both in slightly over the top romantic comedies and generally in applications where a classy yet stereotypical representation of romance is needed.

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Coum DhĂ­neol

Mellow and sincere, 3 minutes piece of tender arpeggiated piano that playfully places itself on the boundaries between melancholy and happiness. It is gentle but firm in its unraveling, suggesting a scene where your character can face its fate without fear of failing or pain. Several applications possible, from emotion driven soundtracks to classy corporate advertising.

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For Sudan (Suite)

Thoughtful sad piano with raindrop-like percussion states a strong melodic motif, slowly joined by gentle strings and delicate triangle. At 1:56 a hopeful bridge introduces pulsing cellos building to a full-bodied, quickened restatement of the main theme, then a gradual shift downwards in energy and tempo for a relaxed and pensive end. Good for campaign videos with a strong serious message.

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