Repetitive and hammering, with a smoky electric guitar riff built as a direct reminder of seventies almighty rock icons such as Jimi and Frank. From 1:30 onwards it gains some nineties elements, culminating in a hi gain solo a la Slash and Guns and Roses. It will suit strong rhythmical visual sequences, sexy clubs, and controversial advertisement.
Casual and light, a playful tune that happily marries orchestral patterns with modern rhythmical drum interjections. Strings, glockenspiel and brass dialogue together without engulfing the scene too much. Like being in a wet and muddy forest with a magnifying glass, observing quirky animals and such hopping around and tentatively catching up with their instincts. Simple and nice theme that is repeated throughout the tune in an ABAB fashion.
Warm and sincere, an ambient episode with traces of tender melancholic elements. Emotional acoustic arpeggios and evocative solos of trumpet and acoustic guitar create a wonderful sense of longing in space and time. As the title suggests, there is indeed a south American edge here, but definitely more in a calm-sunset-on-a-beach sausade way than carnival party time.
Emotional and tender, with an all in open-pedal piano and a light orchestral arrangement that make for a classic inspirational tune. With a grandiose feeling and a straight rhythmical pattern that gradually takes over until the end, it will suit classy short form advertising that musically needs to match a gradual grow in intensity without being too blatant.
Peaceful and bright, with a confident yet tender acoustic guitar and delicate piano inserts that build a relaxing and mellow episode of music. It gains strength and develops harmonically in the last 30 seconds. A bass guitar helps to deliver an effective coda that will suit the end of a cinematic sequence or advertising pieces.
Repetitive and flowing, it starts tense with a rhythmical bass synth. Soon a detuned piano enters the scene to counter balance the darkness with some emotional lighter ideas. The bass follows it as a drum section slowly creeps in and helps in gaining strength to the tune. There is sense of longing and broken romance, but defiance and challenge are definitely ahead. Somewhat in between hi-tech and retro.
Calm and repetitive, with a sentimental reverberated piano and a light touched glockenspiel that take us around for one of those long and longing Sunday afternoons. It’s cold but also strangely hopeful. A natural complement for your broken characters, the ones that never know where to look for a glimpse of deserved tranquillity and happiness.
Dreamy and emotional but polluted in its arrangement, with digitally distorted synthesisers that swoop around the sonic sky and create an interesting black and white post apocalyptic romance theme. Futuristic and hypnotic, there is also a nice and straight kick drum bouncing on the lower spectrum of frequencies that help in establishing a catchy danceable rhythm.
Dark and sneaky, a synthesised bass drone decorated with prepared piano inserts and strings articulations that bring in a cheap horror feeling with an industrial element. This will nicely go along with those kind of thrillers and horrors where everyone in the audience thinks: “Really?”. For scary exploitation and b-movies with an ironic edge.
Weird and bouncy, with syncopated djambees and a tentative double bass that dialogue together in a sort of silly and somewhat sinister 30 seconds of music. It has an interesting edge of dark playfulness that will suit off-advertising but also mickey-mousing of animated characters. Drunk and Disney.